Darci Pause

Archive for the ‘crust punk’ Category

Pigs and Poop Show Photos

In Events, anthropology, art, crust punk, gutter punk, homelessness, houseless, punk, train hopping on July 19, 2007 at 2:48 pm

Thanks to the help of many, the show, Pigs and Poop: Visions on a Mobile Class, was a success. Here are images of the installation and other photos not already posted.

As for those thanks, they go to Jobert Poblete, Jaala Berkley, Ashley Clark, and Adam Luetto for all their help manning the gallery. Thanks to my partner Pete Nelson for providing the guidance and technical help in formulating and setting up the show.

In this posting, I will aim at re-creation of the gallery experience. The text was a very important element in this show and served as a secondary mediator for the viewer. I utilized different fonts to eccentuate certain portions of the accompanying quotes. Unfortunately, this website does not allow for photos large enough to show the text, so I will type the quotes beneath each photo.

Please look at previous posts for more detail on the show and its origin.

suburban house

“Home is a state of mind, if you will. It’s a state of comfort. Most people are dis-eased… That’s why they’re not even home when they’re in their house.”

C-squat

“Every squatter has a fucking mySpace page nowadays.”

Resist

“I’m kind of like the crotch of society.”

“I can totally live without money, for eating and clothing needs, to stay warm. I guess I’m a leach eating out of dumpsters, but I don’t think I need any justification for garbage.”

suburban road

“I don’t want to own anything– ever. I feel the idea of possession is exactly that: an idea.”

suburban road side view

Signs and no homes

“There’s a lot of people that are in society and they surround themselves with all these extravagant things and worry so much about their car and what people think and their house and yada yada yada, but I mean, whenever you’re on your death-bed, you’re not going to be thinking about that shit at all. You know, I may be living in poverty, but in my pockets, I’m rich with experience.”

capitalism death

“I realized that most people’s troubles have to do with money. I realized that we have all the tools and technology available to accomplish all our basic goals without the money game. In fact, more efficiently without [it] than with [it]. Mostly, I try to operate as much outside of the money game as I possibly can… The real goal, I guess, is just to accomplish a sense of freedom, because freedom is something that everyone has, everyday, whether they’re aware of it or not. I guess I’m just trying to make people aware of it.”

Rest

“It’s for the train-hoppers and the gutter punks, not them. It’s our territory. I’m not trying to be an asshole. That’s just how it is.”

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bat cave

Photo by Stormy

“I was really, like, on my own for a while, but after I met Joel, I found out there’s like a huge, like, thousands of kids do it, and I was like, ‘Hell yeah!,’ and I hit the road …
It’s like a tribe, you know?”

“A band or pack is not a rudimentary form, but is a complex way of preventing stable power, and of maintaining diffuse, immanent relations.”
- Deleuze & Guattari

fear not

Photo by Stormy

“The nomad has a territory; he follows customary paths; he goes from one point to another; he is not ignorant of points (water points, dwelling points, assembly points, etc.). But the question is what in nomad life is a principle and what is only a consequence. To begin with, although the points determine paths, they are strictly subordinated to the paths they determine, the reverse happens with the sedentary. The water point is reached only in order to be left behind; every point is a relay and exists only as a relay. A path is always between two points, but the in-between has taken on all the consistency and enjoys both an autonomy and a direction of its own. The life of the nomad is the intermezzo.”

-Gilles Deleuze & Felix Guattari

tumbleweed

“The only way anything can be changed is by a full-on onslaught of revolution, which is never going to happen. People are gonna continue to be blind because that’s what the system wants them to be. Don’t ask questions, don’t ask why, don’t go outside, don’t help anybody out, just stay in your little cubicle, go in another little cubicle to make money to spend on other little cubicle boxes and just sit at home and be a good little Christian soldier, a little remote-controlled angel.”

peeking

“I’m probably never gonna settle down and like get a normal job or anything like that just cuz I can’t handle it. I don’t like it. I get stir-crazy and I go nuts, you know?”

structure

“The State needs to subordinate hydraulic forces to conduits, pipes, embankments which prevent turbulence, which constrain movement to go from one point to another, and space itself to be striated and measured, which makes the fluid depend on the solid… The hydraulic model of nomad science of the war machine, on the other hand, consists in being distributed by turbulence across a smooth space…instead of being held by space in a local movement from one specified point to another.”

-Gilles Deleuze & Felix Guattari

future regional park

“I can’t see myself going back into society the same way, having an apartment or something. Eventually, what I want to do is grow my own sustainable farm, and just grow herbs and vegetables, goats and chickens.”

orange tree fence

“All I see here is money and consumerism. Consume, consume, consume. Like the fucking system has you by the balls and all these people think it’s leading you by the hand.”

pigs and houses

pig

“I wanted to change the system. I wanted to change people’s minds. I wanted to change the ideals and beliefs of everybody walking down the street. I wanted to open up their eyes to a system that fuckin destroys their lives through Television and Volvos and fuckin Cap’n Crunch and god-damn top 40 Billboard radio.”

“When they’re young they think they believe something and think they wanna do something, think they can change the world. And then hopelessness and jadedism just takes over and you realize that all you really want to do is be left alone and get a house and work and just be by yourself and collect records and guns. That’s just speaking for myself.”

houses close

houses

“Their box, their box, their box… People get in their box to go drive somewhere—to a box, get their food in a box, then they’re eating their food in a box, get home to their box, park their box in the box. I don’t think I’ve ever seen a box in nature my entire life. It’s a really strange shape to me. [It sucks] because that’s the only thing you know. I like to be able to see. Flowing. When I’m tripping, I hate to be inside. It’s like er! er! [makes a right angle with hands] Everything needs to flow. I don’t know how to explain it. When I’m outside, I feel better for some reason. I feel that’s what I should be doing, where I should be, for me at least. These people, that’s all that they do. They never get out of their box. It’s really sad. It’s strange.”

This exhibit was dedicated to Michael “Brett” North, who was loved by his family and respected by his community. His life was lost much too soon, taken in the East River Park by a substance originally made to save.

Michael “Brett” North 1974-2006

Pigs and Poop: Visions on a Mobile Class

In Events, anthropology, art, crust punk, gutter punk, homelessness, houseless, photography, punk, train hopping on April 3, 2007 at 6:41 pm

An exhibition of photos by anthropologist Darci J Pauser taken in the Lower East Side of NYC and Roseville, CA.

In movement through unarrayed space, one becomes external to the striated structures of the state. With this externality comes subsistence on the very waste of the internal structures. This exhibition addresses the nomadic lives of the houseless through an exploration of consumption, development, and alienation.

Worth Ryder Gallery
Kroeber Hall
UC Berkeley Campus
Opening Reception and Artist’s Talk June 1, 2007 from 7-9 pm
Gallery Hours June 2nd-7th 11am-5pm

Free and open to the public

 See also the website for the conference where I will present my non-photo fieldwork entitled “Houseless: Agents of Our Own Destruction” on April 28th at 2:45 p.m. http://research.berkeley.edu/haas_scholars/scholars/2006-2007/news/confprog.html

The photo exhibit will include photos of not only the houseless and their environment, but tract homes from my hometown of Roseville as well. In this way, it is as much about development and my own reaction to that development as about the houseless. I hope to force the semiotic meta-dialog of the houseless and the houses into a direct and pungent confrontation for the observer, as well as force the observer to question the uniformity that occurs on both sides.

“Pigs and poop” is about eating off another’s waste and is a phrase based on a story an informant told me in Berkeley, which will be elaborated upon at the exhibit. The content of the photos is what is most important to me– what each photo says about its subject and how each photo represents the houseless and the houses.

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This was shot in NYC in a squat-turned-coop. I found it very interesting that this theme showed up a second time. Why the pig pooping? I feel it also says something about filth– about ‘being dirty.’ There’s also a saying: “Happy as a pig in poop.” Pigs actually don’t like to roll around in poop under ‘normal’ circumstances. If they had their choice between a cool clean lake and a pile of poop, they would cool off in the lake. However, when the lake is unavailable (like, in conditions that humans have set up for them– not the ‘natural’ condition), they will roll in poop. This is an interesting analogy to my subjects, who many would say are suffering from altered preferences. They only ‘choose’ to be homeless because they didn’t have any other options, just like the pig who can either roll in poop or overheat and die. I am skeptical of this view.

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The entrance to ABC No Rio in the lower east side.

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Backyard of ABC No Rio. That day, there were so many worms falling from the trees. They kept falling on me. Uck. A Puerto Rican punk band was playing inside.

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A friend and an informant in NYC is peeking into a building on coney island where there used to be a freak show. I like this photo because it shows the exploratory nature of the subject. His clothing also reflects this. Unlike most of my informants, this guy did not do any drugs, nor did he drink. He just enjoyed train-hopping travel and wanted to experience different places before going to college. Notice the voodoo roll of sticks hanging above him.

Some of the photographs I took are noticably missing the head of the subject. The reason for this is the discomfort my subjects and I felt with creating such an identifiable image. As this project crosses boundaries between art and anthropology, concerns surrounding the rights of human subjects lingered in my mind. There I was as a researcher, but also as a photographer. Would the photography be considered a completely separate and solely artistic aspect of my project to my informants, as it had to the committee for the protection of human subjects? Or would it just be yet another form of exploitation and voyeuristic fetish. Although playing a part in the daily lives of the people I studied—being a person who not only interviews them, takes notes on them, and takes photographs of them, but also hangs out with, chats with, and shares cigarettes with them—did help to ease some of the exploitative tensions, they still played a part in my informants’ discomfort and my self-consciousness on undertaking the role of a researcher.

In order to further explore the possibility of creating a dialog between researcher and subject, I decided to give my subjects cameras. I didn’t know what they would photograph, I just wanted them to photograph anything they wanted to, and give them this tool of record-keeping and documentation which had begun to be so powerful to me. Perhaps they could be a voyeur and a photographer, also. I hoped it would create a dialog between what I, as researcher, saw and what they, as subjects, saw. How might the photos be framed differently? What would they see in them that I didn’t see? Would I be in them as part of their social landscape?

As soon as I picked up the first roll of film an informant took for me, I realized it was not about this dialog at all: it was first and foremost about access. I was so excited about that first roll of film that I did not realize I was keeping the photographer himself from viewing his own prints. I looked through them like a rabid dog to find any that might be aesthetically or analytically relevant. My informants took the photos, but I gave them the cameras and I got them developed, and, significantly, I kept the negatives. In truth, the vast majority of photos that were taken by the subjects were not useful for an exhibition. They were the blurry, finger-in-front-of-the-lens, posed snapshots of friends smiling into the camera, although most of the subjects posing were giving the camera the finger (which I see as relevant). But, perhaps the former has a relevance all its own…

But, as I said, these photos were mainly about access. I was able to see things they did and places they went when I wasn’t around. Here’s someone walking down the street in the city, their friend walking ten feet ahead. Here’s some graffitti of a frieght train I’ve never seen. Here’s what looks like an old abandoned office building, with a group of people sitting on couches and chairs. These latter two photos were taken in a squat in Brooklyn called the Bat Cave, a place I never had the opportunity to go to, and I had been warned against going there, anyway. Unlike the co-op ‘squats’ in manhattan, this was a structurally (and otherwise) dangerous abandoned building ridden with asbestos and soon to be torn down. I heard of someone getting raped there, and one girl I met had fallen off the second-story balcony, breaking many bones, including her jaw.

One Week

In Field Notes, anthropology, crust punk, gutter punk, homelessness, houseless, punk, train hopping on April 3, 2007 at 5:59 pm

I have decided to post my actual fieldnotes here–— names have been changed:

06-19-06

Yesterday, I finally met some people and did some interviews. I met Swig, who was the one I recognized from Berkeley. Swig was with a guy in his early 20s, Deeno, who had also previously been in Berkeley. I told them I would pay them for an interview. Swig said, “I’m not gonna lie, we’re gonna buy beer with the money.” I said I would too, so who am I to judge? Deeno left to get booze as Swig and I talked with the recorder going. Swig left to go to the bathroom and Deeno and I decided to go to a quieter spot for a one-on-one interview. Swig and a young guy (a squatter) named Omie-Z, walked up about 30 minutes later. Swig was pissed at Deeno for leaving his things unguarded, but that swiftly passed. Swig is 37, wears a b&w bandana symbolizing train-hopping, has a large belly and several teeth missing. He’s quite goofy and entertaining. Wore a GG Allin shirt. Deeno wore overalls and a train conductor hat. Swig and Deeno were both of light complexion. Omie-Z had an Afro and a goatee and rode a bike. He looked in his early 20s and was of dark complexion. I cannot recall where he’s from, if I was told at all.

More and more people kept accumulating in the spot where we sat at Thompkins Square Park. There were several runs to the liquor store for more 40s. Among those who joined us were a man named Thunder, dressed like a gutter punk and from Oakland (!) and a young woman named Jaala from the Bronx who does fortune telling and rides a bike. Thunder, I’m guessing, is in his late 30s and says he sold reptiles in Oak-town (illegally, on the street- and claims to have sold to some celebrities). He also wears a black bandana around his neck. We talked quite a bit. Two very young kids (over 18?) from Santa Rosa (!) came around. They were a couple and Mark is a singer in a punk rock band. Both Mark and his girlfriend Tara wore all black, tight black jeans and band shirts. Tara’s was the Subhumans and Marks was The Oppressed, both punk bands. Mark talked about a tour he did in Denmark, liked to sing a lot (much to some people’s dismay).

A woman named Mary sat with us and had a black eye from a fight she got into. I took pictures of her without asking. Later on, she asked me not to take any photos of her. “Have you taken any already?”
“No,” I lied, “I ask before I take pictures of anyone.”
I don’t think I can, in good conscience, keep those photos.

There was also a girl named Molly with her boyfriend Mothballs. He told the story of how he got his name. He and Molly were in a traveling carnival, it was really hot one night and Mothballs slept naked. A moth was flying around him and kept flying around his balls.

Jerry was a guy with dreads in the form of a Mohawk. He said, “Out of curiosity, what’s with the camera?” I said, “I’m doing a research project and an art project.” He talked about how friends of his had gotten their pictures taken for an “art project” and they ended up in a newspaper. I assured him I am not a journalist and that the photos may be used for a gallery show in Berkeley. Swig was backing me up, “I met her in Berkeley,” “she’s cool,” etc. Swig had also backed me up when Mary asked if I took her picture. He said, “She was taking pictures of me, not you.”

Everyone was drinking beer out of cups which had been poured from 40s, myself included. A police car drove through the park very slowly then left. It came again later, just sitting and looking over at our quite large group. Frank is another young guy who was there with us, dark skin and an afro, short stature, a little insane, a little self pitying (09-07-06: too judgemental for fieldnotes. I think he may have been talking about his bad experiences with family life). He asked me if I had 75 cents. I said no. Tara said, “It’s for this really good malt liquor.” I gave Frank a dollar. I felt a bit silly. I did say no when he asked if I had 75 cents. I don’t think a “real” member of the group would have responded that way. I still feel defensive about my resources like that.

Tara and Mark were sitting next to eachother, Mark doing some very animated gestures. I took a picture, this time with a flash. Another guy with dreads, John, who was with his girlfriend said in a very irritated way, “Who’s taking pictures again?” I responded, “I’m taking a picture of people who said it was ok to take their picture.” I had spoken with him earlier about my research and he did not seem irritated with me, but expressed concern, as he had participated in a gathering in the desert blown up by the media.

06-20-06

Walked to Thompkins and saw Swig and Deeno again. Sat with them, showed them pictures and said they could keep any they wanted. Swig wanted the whole roll so I told them they could keep them. I just needed the negatives and contact sheet

Dude with dreads (John) says from the bench across (about 20ft away) “Hey, Berkeley.” I asked him if he wanted to look at the pictures, but he said he didn’t feel like getting up. Another guy with a dog was sitting on the bench across. He gets up and his dog walkes over and starts eating some food that was sitting in a Styrofoam bowl on the ground from the Street Ministry. The dog’s owner, Chayse, runs up, takes the dog and throws him about 5 ft away. Often, people living on the streets don’t allow their dogs to eat human food. This can be a problem if they do not supply enough dog food. [Chayse stays in a squat nearby, the See Skwat. My later informant, Casey, thinks many people who live in the squat are jerks. It probably is quite a closed community (inserted 06-25-06).]

Chayse was leaving and asked Swig to watch some photo paper someone had left with him. “They’re taking forever and I don’t want to take it with me. Watch it for me, but if someone snags it, don’t worry about it too much.”
Swig says, “I’m not an idiot.”
“Well you look like one.”
Swig says, “Someone can look like Tweety Bird and act like the werewolf of London.” John leaves on his skateboard with the photo paper not more than 3 minutes later. Swig mentions it, but that’s about it.

As Chayse walked away, he said something that sounded like, “I wear flip-flops. I’m not homeless.” Swig didn’t hear it this way, but I interpreted it as a reference to me. Made me feel kind of hurt and uncomfortable. He’s not even really homeless. He lives in a squat (09-07-06 he lived in a van in front of a squat). I’m not putting on any fronts. I’m not pretending to be anything I’m not.

Swig can talk about some boring things, I swear. He was giving me synopses of about ten different movies. About Saving Private Ryan and war movies in general, he said, “the soldiers say some pretty philosophical shit.” He told me his brother’s in Iraq right now in the Army. He told me of a biopsy he had done on his liver. He wasn’t happy with it. He thinks it may have been done incorrectly because they had an intern do it. He told me he’s waiting for a girl (“I like her… and she likes me”) to come to NY and meet him here (09-07-06 in the two months I was there, this never occurred). He wants to take her to his mom’s house in upstate NY.

Deeno left with Mary to panhandle. I think they both do heroine and panhandle together to purchase it. Swig left to use the bathroom and a man named Emanuel with some kind of mental illness/ disability was talking with me. I wanted to ask him if he had been diagnosed with any psychiatric disorder, but didn’t. He said his parents are from Spain and has been in NYC so long, it’s “making [him] bananas.” I was a bit uncomfortable with this person next to me, but I have now (6-23-06) come to find that he is an ok dude. Swig says he doesn’t have any kind of disorder, he has just done so many drugs. I don’t know. He has a speech impediment, has a bit of a hard time talking, so I don’t know if that’s from drugs or a prior disability. When he was talking with me though, he was urging me not to do drugs. Emanuel is tall and slender with dark skin and hair. He wears a golfing cap and patterned, mismatched shirt and pants. He is often carrying around a radio. He has a home in Chinatown, I don’t know by what means.

Swig returned, Emanuel left to go sit on the other bench with John, who had returned sans photo paper. A man named Santa, extremely inebriated, came over to talk with Swig as well as a couple of others. Swig was telling everyone to look at the photos. He seemed very happy with them…

Later on, John motioned for me to come over to where he was sitting and introduced me to someone else who was doing a project—not for school or anything, just borrowed a video camera to film people for fun. I sat and talked with John for a while and he was very interesting to talk to. He gave a book recommendation called Rules for Radicals, talked about Herbert Hess and some damn poet who’s name I can’t remember, but who was a contemporary of Ginsberg (bouroughs). He starts reciting Howl to me. He can really come off as a jerk, actually I think, but he’s not. It seems a defense. He talks about the “haves and the have-nots,” talks about “modern world going astray.” He’s from L.A. County; talks about tenderloins and how it refers to an area of town that police run and historically, get the choicest cut of meat from. He lived in Santa Cruz for a while, applied for financial aid and went to school there, but couldn’t work supporting himself and go to school at the same time. He ended up failing his classes. He seemed a bit angry that he doesn’t have the privilege that others have with parents paying their way through school. He said he knew of people doing cocaine everyday, but still getting through school and maintaining an apartment because mommy and daddy pay for it.

06-21-06

I walked around 5th Ave/ Central Park today. Saw a few homeless people. One woman was sitting out in front of a business building on 6th Ave asking I believe only women for money (she was calling everyone she asked “sweetheart”). I supposed she could have been talking to men as well, but for some reason it sounded to me like the former. I left some grapes I had bought next to a sleeping man inside the park. He was an elderly asian man sleeping next to a wheelchair.

After taking the subway home, I ate some dinner and went grocery shopping and loaded up my new Holga [camera]. I went to the park, but not many people were there. I think I may have been a little too late. Swig was there though, of course. He has a bad leg and can’t get around all that much. The only other people there were a bunch of guys, older and younger, who were getting so wasted and were getting a bit obnoxious, to me and Swig. He asked me if I wanted to sit on the benches across the walkway, about 20 ft away. We did so and chatted. Omie-Z came by, as he had been all night- stopping for a bit and then leaving to sell pot or something. Two young girls came by (meaning perhaps 20 or so) and hung out with me, Swig, and Omie-Z. Honestly, though, they weren’t the friendliest as can be with me. They seemed a bit standoffish but obviously knew Omie-Z very well and knew Swig as well. I would like to hear their story, though.

So, I walked with Swig to the spot on the sidewalk about a ½ block from the park where he sleeps every night. There’s a lot of foot traffic, but he said it doesn’t bother him, he only gets residents asking him to move occaisionally. I said I could not understand why they would care so much, as him being there doesn’t harm them. He said, “yeah, it’s not like we’re littering or anything. You can take the cardboard and throw it in the dumpster when you’re awake, and you take all your stuff with you… People think now that if you don’t live inside, you don’t deserve to live. It used to be in New York ‘Give us your tired, your homeless.’ Now it’s like, give us your credit card…People forget that the first pioneers who settled America slept outside. The Indians slept outside…”

Swig found a piece of cardboard in a dumpster on the other side of the street and laid it in his sidewalk spot, carefully chosen, as he told me, because of (1) the isolation from any police that may drive through the street caused by the parked cars right off the curb about 1 ft away, (2) no obstruction of foot traffic (it’s right next to a planter that already obstructs some of the sidewalk, and (3) does not obstruct any doorway. Swig lays down the cardboard and tells me I can take a seat on the end. As we converse, Coach slippers and Louis Vuitton purses walk by. Occaisionally, I look up at the passersby. They look perplexed- or intrigued- I can’t really tell which. Maybe both.

Swig tells me about how he got his leg hurt. He was at a concert in Roanoke and got into a fight with someone who had friends that came back to beat up Swig. They smashed his foot up and broke it. Edema, liver and kidney dysfunction, swelling of the legs, Hep C from a fight (?) [more likely the hep c is from injecting heroine, which he quit doing in ‘96 he says]. I felt so bad because earlier we had been listening to the radio and the Doors came on. I tapped my hand to the beat on Swig’s shoe, not realizing it was his bad foot. Oh, I felt so bad; I could tell it had hurt him.

Swig also told me the story of his dog and how she got taken from him. He had been sleeping behind a dumpster in Roanoke and his dog was taken to the SPCA when he went to jail. They don’t euphenize, but every time your dog has to be put in there, you have to pay more money to get it back. After the 4th time having the doggie in there, he couldn’t get her out again. He had been working, doing odd jobs for a company that hires out manual labor, but after the foot incident, he was unable to work and get enough money for his dog, He said, “So, that’s pretty sad.” And he did seem very sad about it, referring to the dog as “her,” like a lost lover.

I excused myself when it got too late and walked home. It didn’t seem like Swig wanted me to leave.

Houselessness in NYC

In Field Notes, anthropology, crust punk, gutter punk, homelessness, houseless, punk, train hopping on April 3, 2007 at 5:55 pm

After getting a bit frustrated walking all over Manhattan without meeting anyone who I would like to interview for two days, I decided to relax a bit and let my body rest. That just so happened to be the day that I finally met some people. I saw a man who I recognized from Berkeley, of all places, and he agreed to be interviewed. He says I interviewed him before, but I cannot recall that. I hung out with him and a large group of people for the rest of the day, taking pictures and chatting with other houseless people as well as some young punk kids who live with parents. I was getting a bit of stigma for the picture-taking from a couple of people, but the first guy I met, Swig, was backing me up— “She’s cool. I met her in Berkeley.” I made a mistake and photographed someone without asking. She had a black eye from a fight and I suppose I just knew she really wouldn’t want her picture taken. But all these thoughts of making such things that are often concealed or turned away from into things that are strikingly visible swirled through my head. She didn’t notice me taking her picture, but later on asked me not to. “I feel ugly right now,” she said. “You haven’t taken any already have you?” On the spot and feeling guilty, I lied and said, “No. I ask people before I take their picture.” Swig, again backing me up said, “She was taking pictures of me.” That makes me feel even worse, violating his trust. I cannot in good conscience keep that photo. I got some ’stigma’ from a couple of others as well. One guy asked, “Out of curiosity, what’s with the camera?” and went on to tell me about how a friend of his had their photo taken for an “art project” that ended up in the newspaper. I assured him I was not a journalist and the only places the photos may be shown is in a gallery in Berkeley. I had similar concerns from another person as well.

I have been thinking of getting my senior thesis printed so that it can be available for my current informants to read. It may build more trust and understanding if they see the results of my Berkeley venture. Other than that, I think it is only time which can build trust. That being said, I go now to walk around the East Village and into Tompkins Square Park to hang out some more.